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Porcupine Tree-Voyage 34 The Complete Trip-CD-FLAC-2000-FLaKJaX
Description :
Porcupine_Tree-Voyage_34_The_Complete_Trip-CD-FLAC-2000-FLaKJaX
Artist. Porcupine Tree
Album.. Voyage 34 The Complete Trip
Genre.. Progressive Rock
Year… 2000
Label.. Delerium Records
Cat.No. DELEC CD 074
Street. 06.06.2000
Ripped. 04.05.2014
Url…. https://www.facebook.com/PorcupineTreeOfficial
Source. CD
Grabber EAC v1.0 beta 3 (Secure Mode)
Encoder FLAC 1.2.1 -8 -V
Bitrate 829kbps
Tracks.:
01.Phase I [12:55]
02.Phase II [17:25]
03.Phase III [19:24]
04.Phase IV [13:42]
Ttime 63:26 Min
Tsize 379.46 MB
Release.:
Remixed CD reissue of all four versions of Voyage 34, with new artwork. The original
tracks were published 1992 and 1993.
Programmed, produced and performed at No Man’s Land.
Phases I + II recorded June/July 1992. Remixed August 1998.
Phase III remix and additional production for Astralasia August 1993.
Phase IV recorded August 1993. Remixed and abridged August 1998.
The album originates from a single track, titled “Voyage 34″, which was to be part of
the Porcupine Tree’s second studio album, Up the Downstair. Originally a 30 minute
track intended to be the second disc of a double album, Wilson eventually decided to
release “Voyage 34″ independently of the rest of the album. Instead, it was released
in two parts, as singles, as “Voyage 34 (Phase 1)” and “Voyage 34 (Phase 2)” in 1992.
In 1993, Voyage 34: Remixes was released, containing two remixes of the originals.
“Voyage 34 (Phase 3)” was a remix by the British electronic music group Astralasia,
while “Voyage 34 (Phase 4)” was a remix by Wilson himself, along with future band
member Richard Barbieri. A voice sample of Dead Can Dance’s song “As the Bell Rings
the Maypole Spins” is repeated throughout all four tracks.
Voyage 34: The Complete Trip compiles all four “phases” onto one album.
Despite being mostly instrumental, Voyage 34 can be considered a concept album, where
the LSD trip of a young man called Brian is told with spoken words. Musically it is a
fusion of progressive rock, psychedelic rock and trance music.
During a 2002 interview before the release of In Absentia, Steven Wilson said the
following in regards to the release of Voyage 34 after being asked why the band
released a 30 minute single:
“It was an anti-single. It was a thirty minute single about drugs and it had no
vocals in it. I thought that no one is going to play this. But it charted anyway. It
was the ultimate ‘fuck you.’ We have released four minute singles since then. But for
Porcupine Tree to release a single is like an oxymoron. It’s very difficult to take
out a four minute chunk from an album and say ‘Here we are. This totally encapsulates
everything Porcupine Tree are about.’ It’s never been satisfactory to me to release a
single. If you know the group, you know that from one minute we go from extreme metal
riffing to ambient texture, the next minute we’ll have a pop hook, the next minute
we’ll have some avant garde sample. All of these things are part of the album. How do
you take a chunk of that? To me it’s totally unrepresentative.
Wilson said of Voyage 34, in reflection, in 2012:
The whole point about “Voyage 34″ was an exercise in genre. In that sense it
stands apart from the rest of the catalogue…back in the early Nineties, there was
an explosion in ambient music, a fusion of electronic music and techno music with the
philosophy of people like Brian Eno and Tangerine Dream. I thought there was an
interesting opportunity to do something that would bring progressive rock and
psychedelia into that mixture. I wouldn’t say “Voyage 34″ was a technical exercise,
that makes it sound like a science project, but it was a one-off experiment in a
particular genre in which I knew I wouldn’t be staying for very long. I was given a
tape of a guy having a bad trip in the Sixties. It was an anti-LSD propaganda album
and it was perfect to form a narrative around which I could form this long, hypnotic,
trippy piece of music. And that was “Voyage 34″. Even at the time, I think that sort
of music was already passing. Music that is too attached to a trend very soon starts
to sound very dated. I was always interested in existing outside the bubble of
whatever was hip, and that kind of music was very briefly hip. “Voyage 34″ sits
inside that bubble. I’m still very proud of it. It was a unique piece of music, but
of all the catalogue, it’s one of the pieces which relates most closely to the era
that it was created in.
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