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City And Colour-The Hurry And The Harm-REPACK-CD-FLAC-2013-FORSAKEN
Description :
Artist : City And Colour
Album : The Hurry And The Harm Label : Dine Alone Records Genre : Folk-Rock Source : CD Street Date : 2013-06-04 Quality : 933 kbps / 44.1kHz / 2 channels Encoder : FLAC 1.2.1
Size : 355.75MB
Time : 50:49 min Url : http://www.cityandcolour.com/
1. The Hurry And The Harm 4:24 2. Harder Than Stone 4:26 3. Of Space And Time 3:32 4. The Lonely Life 4:33 5. Paradise 3:38 6. Commentators 3:34 7. Thirst 3:26 8. Two Coins 5:31 9. Take Care 3:38 10. Ladies And Gentlemen 4:05 11. The Golden State 5:17 12. Deaths Song 4:45
Sorry for the genre-fuckup, heres the repack.
The Hurry and The Harm
I just wanted to make an honest record.
So says Dallas Green, otherwise known as City and Colour. Hes
not really talking about confessionals (though that might happen,
too) but truthfully incarnated music: organic songwriting,
natural process and sincere moments captured in the studio.
Capturednot manipulated. For his fourth LP, The Hurry and The
Harm, Green not only wanted to present an honest album, but an
honest version of himself. To do so, he had to leave some things
behind, confront others and let the rest simmer.
Green wasnt quite prepared to make another album so soon. On
tour to support his last album, Little Hell (2011), he couldnt
quite shake the feeling that something was unbalanced, uneasy. I
was being pulled in two different directions, Green recalls. He
was mentally near the end of the road with his former band,
Alexisonfire, but couldnt yet share the news with his fans. I
wanted to be in one place, but I didnt want to let my friends
down. He started reading poetry specifically the Kentucky-born
author Wendell Berry, and his work The Peace of Wild Things. I
come into the peace of wild things, who do not tax their lives
with forethought of grief. I come into the presence of still
water, it goes. Those lines made Green excited about words
again, and comforted him in a time when things didnt seem too
peaceful. The songs camequickly, even.
Its no surprise, really. City and Colours music is exactly
that: peace, in wild things. Theres a calm, dulcet tone to the
songs, the melodies crafted to provide restlessness amidst a
sonically complex journey that both soothes and rustles. The
records first leaked track, Of Space and Time, showcases
Greens voice as it dangles in his own special kind of falsetto,
set to a chugging drumbeat and subtle strum. Im roaming through
the hills all alone, he sings. Im trying to find my direction
home. Maybe he didnt know it at the time, but home is City and
Colourits not simply a solo project from an otherwise
accounted-for band member, but is Green, his primary entity, and
his honesty.
The Hurry and The Harm is the first City and Colour album
recorded outside of CanadaGreen took his process this time to
Nashville, Tennessees Blackbird Studios. Ive never gone
anywhere else to make a record, Green recalls. I think it
worked out, and it was a wonderful experience. He recruited an
excellent team of players to round out the songs, including Jack
Lawrence on bass (The Raconteurs, The Dead Weather), Bo Koster on
keys (My Morning Jacket), Spencer Cullum (Caitlin Rose) on pedal
steel and both Matt Chamberlain (Pearl Jam, Fiona Apple) and
James Gadson (Bill Withers, BB King) on drums. Green once again
found great kinship in producer Alex Newport, who has worked with
such varied and dynamic artists as At The Drive-In, Death Cab for
Cutie, Bloc Party and The Mars Votla (and more notably with Green
on Little Hell).
The resulting album is a journey through a state of mind,
exploring everything from Greens struggles to leave his previous
band (Of Space and Time) to his distaste for gossip media
(Commentators). Musically, the artful evolution can be felt in
the crushing, sweeping rush of the first single, Thirst, with
its aggressive vamp and both acid instrumentals and tongue:
after Im gone / once I finally leave / you will be left alone
to the wolves and the thieves. There is a longing in the words
but a certain direction in the songs, such as on Two Coins
which balances a quiet folkiness with an unexpected guitar solo,
searching through the play in his voice and the introspection of
the ironically upbeat strums of Harder Than Stone. Lyrically,
now that I look back at the record as a whole, there are a lot of
songs that deal with me searching for something, he says. And I
know now that I wrote those songs near the end of Alexisonfire.
I dont have a lot of faith in myself, so it is hard for me to
have a lot of faith in something I have created, Green says.
But Ive never been happier or prouder about something that I
have done.
Green began recording as City and Colour in 2005, with Sometimes,
followed by 2008s Bring Me Your Love and 2011s Little Hell and
has experienced huge success both on the charts and the road. All
three previous studio albums have achieved platinum status in
Canada, while Little Hell is also now Gold in Australia.
Additionally, Little Hell debuted at #1 on Canadas Top 200
Chart, #28 in the U.S., #2 in Australia and top 40 in the U.K.
Moreover, almost every show in 2011 and 2012 sold out (including
the famed Royal Albert Hall, a two night stay at the Roundhouse
in London and New Yorks Terminal 5). In support of The Hurry and
The Harm, City and Colour will once again embark on a
wide-ranging set of dates across North American and the world.
The tour will feature a brand new touring band including Jack
Lawrence (The Raconteurs, Dead Weather) on bass, Dante Schwebel
(Hacienda, Dan Auerbach) on guitar, Doug MacGregor (Constantines)
on drums and Matt Kelly on pedal steel guitar and keys.
Playing guitar since age eight and crafting songs since his
teenage years, Green has always known he wanted to write music
and sing: mostly for himself, to find peace and clarity amongst
the chaos. He thinks its kismet that others happen to like to
listen. At the end of the day, when I write a song, it has to
make me happy, he says. I have to want to sing it again. And
then the hope after that is that somebody else will like it.
And they do, because its the peace of wild things.
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